تبلیغات | Composer: Title | D/L |
| bach,j.s: Passacaglia and Fugue in C- | jsbpassc.mid |
| bach,j.s: Toccata, Adagio & Fugue in C | ad-toc.mid |
| bach,j.s: Sonata for Flute and Harpsichord in b minor, BWV 1030 | bwv1030.mid |
| bartok,bela: Suite Opus 14 | Suite_1.mid |
| beethoven,ludwig van: Symphony No. 9 | Lvb9_2.mid |
| bernstein,leonard: Symphony | masque.mid |
| barber,samuel Adagio | BarberAdagio.mid |
| berlioz,hector: Harold In Italy | harold2.mid |
| bolling,claude: Flute and Jazz Piano Suite | bolling7.mid |
| brahms,johannes: Variations on a Theme by Hadyn | bvhi.mid |
| brahms,johannes: Symphony No. 3 | brahms34.mid |
| britten,benjamin: Peter Grimes | brit33a1.mid |
| bruch,max: Violin Concerto No.1 | bruop26a.mid |
| debussy,claude: Nocturnes | debfetes.mid |
| debussy,claude: Suite Bergamasque | bergam1.mid | bergam4.mid |
| dvorak,anton: Symphony No. 9 | dvs93.mid |
| faure,gabriel: Dolly Suite | dolly6.mid |
| faure,gabriel: Pelleas et Melisande | 18sicily.mid |
| grieg,edward: Holberg Suite | eg40hzpr.mid |
| grieg,edward: Lyric Pieces | gr_nocte.mid |
| holst,gustav: The Planets | mars.mid |
| janacek,leos: Sinfonietta | Jansinf3.mid |
| khachaturian,aram: Concerto | khachiii.mid |
| liszt,franz: Mephisto Waltz No. 1 | mephisto.mid |
| liszt,franz: Piano Concerto No. 1 in Eb | liszt1-2.mid |
| macdowell,edward: Witch's Dance | Wtchdans.mid |
| mahler, gustav: Symphony No. 5 | mahler54b.mid |
| poulenc,francis: Concerto for Organ | poulorgc.mid |
| prokofiev,sergei: Symphony No. 1 | prok-s1d.mid |
| prokofiev,sergei: Piano Concerto No. 3 | Prokof_3.mid |
| prokofiev,sergei: Symphony No. 5 | Symphony52.mid |
| rachmaninoff,serge: Rhapsodie | pgvr1924.mid |
| ravel,maurice: Miroirs | miroirs3.mid |
| ravel,maurice: Valses Nobles et Sentimentales | r1t.mid |
| ravel,maurice: Le Tombeau de Couperin | Couperi5.mid |
| rimsky-korsakov: Sheherazade | scheh3.mid |
| shostakovich,dmitri: Piano Concerto No. 2 | pfc2-3.mid |
| shostakovich,dmitri: Piano Concerto No. 1 | ShostakPC1.mid |
| strauss,richard: Salome Tanz | salome.mid |
| stravinsky,igor: The Rite of Spring | Rite_2f.mid |
| stravinsky,igor: Petrushka | petrou-m.mid |
| schubert,franz: Serenade | schsrnd.mid |
| villa-lobos,hector: Choros No. 1 | choros01.mid |
| wagner,richard: Tristan und Isolde | tristaxg.mid |
| widor,charles: Symphony No. 5 | Wids5m5.mid |
| Styles | KORG i30 Factory ROM |
This is a complete copy of the factory preset styles found on the famous Korg i30 converted to KORG Pa1X format by Sharp.
Note, these files are presented without any fine-tuning. Due to the differences between the i30 and Pa1X Series you may need to adjust the choice of sounds selected to suite your own taste and in some cases to improve styles by using higher quality Pa1X sounds of choice. |
Disk 1 820KB Disk 2 |
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| Sounds & PCM |
Arabic Drums | Anoosh Emam submits a collection of Arabic drum samples. | 1.08MB | |
| Voice Processor | TC-Helicon | TC-Helicon Harmonizer tweaks by Wings. As the title suggests, Wings has send us his tweaks for the Pa1X TC-Helicon Harmonizer. As always, please remember to save your own data to disk before loading new files into your Arranger Keyboard.
Note fro Pa1X users: Loading the Global data found in this file will switch off your speakers. This is normal, and if you don’t wish for your speakers to remain switched off. Then go to the global mode, select the Audio Output option, and then touch the Metro/SPDIF tab. To turn on your speakers, tick the box. |
4KB | |
| PCM | 01W Paino | KORG 01W Piano Multisample. Extracted by Nizar Tareq. | 2.68MB | |
| PCM | Global Muisc | Timor Sakka submits 5 multi samples compatible with the PA1X, Pa80, Trinity, Triton, and OASYS. | 7.4MB | |
| Styles | Korg i3 Factory ROM |
This download contains the entire Style ROM of the i3 converted to Pa1X format. As always, make sure you have a backup of your own custom styles before loading new data into your Pa1X. This will ensure you don’t accidentally overwrite something. Yes, it does happen :-) |
580KB | |
| Pad Seq | 3 Piano PAD Sequences | 3 new Piano Pad sequecnes created by Sharp. | 1.5KB | |
| Sounds | Trumpet Shakes | 3 Trumpet sounds with the classic trumpet shake effect assigned to the after touch. Created by Sharp |
1KB | |
| Pad Seq | 32 Pad Sequecnes First Edition |
A full bank of new pad sequences created by Sharp | 7KB | |
| Styles | Batch 5 - Styles | This is a collection of 96 Roland Va76 format styles found freely available on the net, now converted to Korg format.
Important: While the conversion process was optimised for the Pa1X, it is impossible to account for every possibility that could affect the quality of the end results. So you may need to adjust the volume of each Acc part for select styles. Or select different sounds. |
510KB | |
| Styles | Batch 4 - Styles | This is a collection of over 280 Yamaha format styles found freely available on the net, now converted to Korg format.
Important: While the conversion process was optimised for the Pa1X, it is impossible to account for every possibility that could affect the quality of the end results. So you may need to adjust the volume of each Acc part for select styles. Or select different sounds. |
Disk1-8 327KB 263KB 282KB 282KB 326KB 295KB 284KB 266KB |
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| Styles | Batch 3 - Styles | This is a collection of 64 Yamaha Styles found freely available on the net, now converted to Korg format.
Important: While the conversion process was optimised for the Pa1X, it is impossible to account for every possibility that could affect the quality of the end results. So you may need to adjust the volume of each Acc part for select styles. Or select different sounds. |
188KB
184KB |
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| Styles | Batch 2 - Styles | This is a collection of 86 Yamaha Styles found freely available on the net, now converted to Korg format.
Important: While the conversion process was optimised for the Pa1X, it is impossible to account for every possibility that could affect the quality of the end results. So you may need to adjust the volume of each Acc part for select styles. Or select different sounds. |
207KB
213KB 199KB |
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| Styles | Batch 1 - Styles | This is a collection of 160 Yamaha Styles found freely available on the net, now converted to Korg format.
Important: While the conversion process was optimised for the Pa1X, it is impossible to account for every possibility that could affect the quality of the end results. So you may need to adjust the volume of each Acc part for select styles. Or select different sounds. |
242KB
220KB 205KB 218KB 218KB |
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| Sound & PCM | Roberts Piano | A new Smaple based piano created by Artemiasalina | 7.34MB | |
| Sound & PCM | Duduk | Here’s version 2 of the Duduk sound. As requested, there is now a breathy vibrato on the after touch. | 2.25MB | |
| Sound & PCM | Irish Fairytale | The Irish Fairytale sound originally created by Sharp for the Triton Extreme now converted to Pa1X format by Sharp. This download also includes a midi file to demonstrate the type of sound you can get if you play the keyboard a certain way with this sound. | 157KB | |
| Sound & PCM | Alex Set | A set of new sample based sounds including a Piano’s and sample based trumpet shakes. Created by Galettouille. (Alex) | 29.8MB | |
| Sound & PCM | Enigma | Probably one of the best sounds on the planet and it’s available to you for free. This is the almighty famous flute sound that Enigma used in the song called Sadness. The actual raw sample was uploaded years ago by a guy called Alejandro Melendez to a site called http://listen.to/Hammersound. It was basically only a 3 second long sample in SF2 format, but it was just enough for me (Sharp) to work on. So… after spending a ridiculous amount of time looping this data, I’m delighted to share with you all this fantastic and awesome sound in KORG format. Enjoy, it’s a fantastic sound. | 635KB | |
| PCG/KSC | PMI Piano | This is a conversion of a 1GB piano by PMI that was offered for free on the cover of a magazine. Now converted to Korg format and looped. http://www.postpiano.com | 21.8MB | |
| SBL/SBD | Full Name Song Book | A improved song book has been uploaded to the Pa1X section. This songbook contains proper names for each song title. Created by Booby. | 70KB | |
| STY | Dance Styles | Booby submits a selection of new Dance Styles for the Pa1X. | 451KB | |
| STY | Dream Of Trance | An original style created by Sharp. | 5KB | |
| PCG | 128 Dance Sounds | A collection of 128 Dance Sounds converted from the Triton Studio. | 25KB | |
| STY | Covers | A collection of styles that cover songs like Guess that's why they call it the blues, Sway, Pretty Woman and many others. Created by Sal Mirabile | 530KB | |
| SBL | Expanded Song Book | Expanded Songbook for OS Version 3.xx on Pa1x series. Correct Titles and Artists. Original 200 entries expanded by Booby, additional 150 entries expanded by Rob Sherratt and Joseph Bkim. | 5KB | |
| STY | Muzica Buc | A file called Musica Buc is submitted to the download section. Created by Deejay Dune. | 429KB | |
| STY | Romanian | This download contains a selection of Romanian styles. Submitted by Danutzdima | 8.3MB |
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تعاریف كوتاهی از سلفژ:
الف:مهمترین عاملی كه به معنای اعم ، پایه و اساس جدی در اموزش موسیقی به شمار میرود سلفژ است كه از دو قسمت عمده تشكیل میشود :
1- قسمت عملی 2- قسمت نظری
قسمت عملی شامل خواندن و تلفظ نتها به شكل اوازی و به شكل وزن خوانی است و قسمت نظری شامل شناخت كلیه علامتها و قواعدی است كه در طی قرنها به منظور اجرای دقیق موسیقی به تدریج ابداع شده و تكامل یافته است تا بتوان شناخت هنری را كه واقعیتی درونی است و بیشتر جنبه عاطفی دارد با این علامتها و قواعد به شناخت علمی تبدیل كرد.
ب : تقسیمات صدای انسان
1- سوپرانو :صدای زیر زنانه
2-متسو سوپرانو : صدای متوسط زنانه
3-كنترالتو : صدای بم زنانه
4- تنور : صدای زیر مردانه
5- باریتون : صدای بم یا صدای متوسط مردانه
6- باس : صدای بم مردانه و بهترین صدای مردانه
در هنگام نوازندگی یا خوانندگی اواز سكوتها را باید اجرا كرد به صورت نخواندن نت و ساكت شدن ولی در ابتدا برای اموزش سلفژ ما بادیدن علامت سكوت ، سكوت نمیكنیم بلكه به جای ان كلمه اوم میگوییم و به اندازه ارزش زمانی سكوت انرا ادامه میدهیم
خواندن نتها با اجرای صدای ان نت را كانتات گویند و خواندن نت بدون اجرای صدا و فقط گفتن نام انرا پارلات گویند
شما باید توانایی خواندن بی صدای نتها را پیدا كنید و نتهایی كه به شما داده میشود را با تمپوی مشخص بخوانید و بعد كم كم قدرت نت خوانی خود را افزایش دهید بطوریكه نت بعدی را هم در ذهن داشته باشید و اگر كسی نت بعدیِ نتی را كه شما خوانده اید با دست بپوشاند شما باز هم انرا بخوانید.
مساله دیگری كه اینجا بیاد خاطر نشان كرد مساله فركانس گیری است كه شما باید با سازی كه در اختیار دارید این كار را انجام دهید كه البته ما در اینجا فركانس گیری با پیانو را توضیح میدهیم.
فركانس گیری چهار مرحله دارد
1- شنیدن صدای نت اجرا شده
2- اجرای ان در ذهن
3- اجرای ان با صدا
4-تطابق دادن هر چه بیشتر صدای خود با صدای ساز كه در فضا باقی مانده است




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You will probably find that you don't really need to know all of these possible relationships and you will settle into mostly using 'Major', 'Major 7', 'Minor', and 'Minor 7' chord types. Depending on what you are performing, you might need some of the others. As an example, the last vocal 'harmony' in the Beatles tune 'I want to hold your hand' is a 'Major 6'.
In order to read this chart, you need to know what the Components symbols mean.
If preceded by 'b' then its a flated note, if preceded by a '#' the note is sharp. These are relationships to the key of a song or the notes in a chord. Many Musicians know what these are (and many times musicians will simply be told the songs key and the pattern it uses to perform it - these relationships define it clearly). For more on what this all means (and it is complex to describe, but simple once you understand it), see Music Theory 101 Once you know how to play basic chords on a guitar or Piano, you will discover that many require only 3 notes, most use 4 or less. If you are trying to do 2 part harmonies, obviously, you can only pick 2 of them to use. Normally, you always use the Root note, so you really only need to find the other note that you will be utilizing. and a 3 note chord, it can only be one of the remaining 2 notes. For a 4 note chord, you pick one of the remaining 3 (most often the one that is in addition to the regular 'Major' or 'Minor' chord. Once you start working with these, you'll hear what the relationships sound like, and you'll be able to feel what you are supposed to do to get the desired effect. Occasionally, you'll need to refer to a relationship that you don't encounter often, thats what this chart is for. Please note, no Octaves specifics are listed here - match that up to your singers and thier vocal range. |
Sample Chords as they relate to the Root note ('C' shows many variations):
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